CST | The Hand

CST | The Hand

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A soaked, bearded man in a ruff collar stares into the lens, armed men behind him in a wet forest.

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CST’s film talks straight to the human hand, and thanks it for everything from Hamlet to Saturn’s rings.

It opens on a palm in a shaft of light and a voice: “This is the human hand.” Then the hand gets its thanks, one moment in history at a time. Shakespeare holds a feather pen, Ibn Rushd writes, Magellan sails out of sight of shore and a boxer floats like a butterfly. At the end the voice turns to the viewer and asks what a connected hand could do today. The idea, the treatment, the script and that voice all came from Ghazy, through &That French Guy, iklipse’s creative arm.

About

CST’s film talks straight to the human hand, and thanks it for everything from Hamlet to Saturn’s rings.

It opens on a palm in a shaft of light and a voice: “This is the human hand.” Then the hand gets its thanks, one moment in history at a time. Shakespeare holds a feather pen, Ibn Rushd writes, Magellan sails out of sight of shore and a boxer floats like a butterfly. At the end the voice turns to the viewer and asks what a connected hand could do today. The idea, the treatment, the script and that voice all came from Ghazy, through &That French Guy, iklipse’s creative arm.

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&That French Guy, the creative arm of iklipse
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